Violin Sonata in G minor, L 140 Claude Debussy (1917)
I. Allegro vivo II. Intermède: fantasque et léger III. Finale: très animé
Debussy's Violin Sonata presents a superb balance of sweetness, fire, humor, and nostalgia. It is a work imbued with deep melancholy that also embodies other characteristic traits for Debussy: a sense of fantasy, freedom, and affective depth. At the time of this composition, Debussy was ill with terminal cancer, but he had continued to write despite his failing health, partly for financial reasons, and it is the last work he completed. Lionized by Ravel and detested by Saint-Saëns, Debussy was a patriotic Frenchman, who worked hard to protect and preserve French culture. Considered the first and foremost Impressionist composer, Debussy had a style marked by Japonism and innovative harmonies and tone color that was also characterized by understatement and emotional warmth. The challenge for the violin-piano duo in the Violin Sonata is the collaboration of senses and spirit. Unlike sonatas from earlier periods, or other sonatas of Debussy's time, the two instruments do not accompany each other per se; rather, one instrument leads with a pulling energy against the counter melody or motif of the other. Ultimately, this creates a different kind of sonority and texture; the two instruments challenge one another but their arguments ultimately bring them closer together.Notes by Midori Goto
Classical Music | Violin Music
Claude Debussy
Sonata for Violin and Piano
PlayRecorded on 05/19/2016, uploaded on 05/19/2016
Musician's or Publisher's Notes
Violin Sonata in G minor, L 140 Claude Debussy (1917)
I. Allegro vivo
II. Intermède: fantasque et léger
III. Finale: très animé
Debussy's Violin Sonata presents a superb balance of sweetness, fire, humor, and nostalgia. It is a work imbued with deep melancholy that also embodies other characteristic traits for Debussy: a sense of fantasy, freedom, and affective depth. At the time of this composition, Debussy was ill with terminal cancer, but he had continued to write despite his failing health, partly for financial reasons, and it is the last work he completed. Lionized by Ravel and detested by Saint-Saëns, Debussy was a patriotic Frenchman, who worked hard to protect and preserve French culture. Considered the first and foremost Impressionist composer, Debussy had a style marked by Japonism and innovative harmonies and tone color that was also characterized by understatement and emotional warmth. The challenge for the violin-piano duo in the Violin Sonata is the collaboration of senses and spirit. Unlike sonatas from earlier periods, or other sonatas of Debussy's time, the two instruments do not accompany each other per se; rather, one instrument leads with a pulling energy against the counter melody or motif of the other. Ultimately, this creates a different kind of sonority and texture; the two instruments challenge one another but their arguments ultimately bring them closer together. Notes by Midori Goto
More music by Claude Debussy
La Puerta del Vino, from Préludes Book II
Les sons et les parfums tournent dans l'air du soir, from Préludes, Book I
Soiree dans Grenade, from Estampes
Rapsodie (arr. Rousseau)
Arabesque in C sharp major
Beau Soir
Ondine, from Préludes Book II
La Cathédrale engloutie, from Preludes, Books 1, No.10
Estampes
Apparition, from Quatre chansons de jeunesse
Performances by same musician(s)
String Quintet No. 3 in E-flat Major, Op. 97
Piano Quintet in E-flat Major, Op. 44, 3rd mov
Violin sonata No. 2 in A Major, Op. 100
Praeludium and Allegro
String Quartet in E-flat Major, Op. 127
Violin sonata No. 2 in A Major, Op. 100
Spanish Dances No. 8, Op. 26, No. 2
Scherzo-Tarantella
Piano Trio No. 1 in B Major, Opus 8
String Quartet No. 2 in a minor, Op. 17
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