Olivier
Messiaen's music is among the most influential and distinctive, with material
he drew from a variety of sources, among them the plainchant modes, octatonic
scales, and birdsong.
Composed
in 1932, Thème et Variations displays
a transitional style in his music and in the music of France. It echoes the
past with its impressionistic tonality while anticipating aspects of Messiaen's
later, more elaborate musical language. The opening presents a simple theme
accompanied by triadic harmonies. The following five variations function to
disguise the theme so that their relationship becomes increasingly difficult to
discern. The first variation adds neighboring notes. Variation 2 distorts the
rhythm and uses a contrapuntal treatment of three voices. The third variation
rearranges elements of the theme while its meter is manipulated to throw the
rhythmic symmetry off balance. It leads into the fourth variation, where all
traces of the thematic idea disappear before increasing speed and agitation bring
the last variation, where the main theme returns climactically in its entirety. Eugenia Choi
Classical Music | Violin Music
Olivier Messiaen
Thème et Variations for Violin and Piano
PlayRecorded on 08/02/2005, uploaded on 01/16/2009
Musician's or Publisher's Notes
Thème et Variations Olivier Messiaen
Olivier Messiaen's music is among the most influential and distinctive, with material he drew from a variety of sources, among them the plainchant modes, octatonic scales, and birdsong.
Composed in 1932, Thème et Variations displays a transitional style in his music and in the music of France. It echoes the past with its impressionistic tonality while anticipating aspects of Messiaen's later, more elaborate musical language. The opening presents a simple theme accompanied by triadic harmonies. The following five variations function to disguise the theme so that their relationship becomes increasingly difficult to discern. The first variation adds neighboring notes. Variation 2 distorts the rhythm and uses a contrapuntal treatment of three voices. The third variation rearranges elements of the theme while its meter is manipulated to throw the rhythmic symmetry off balance. It leads into the fourth variation, where all traces of the thematic idea disappear before increasing speed and agitation bring the last variation, where the main theme returns climactically in its entirety. Eugenia Choi
More music by Olivier Messiaen
Regard de l'Esprit de Joie, from Vingt Regards sur l'Enfant-Jésus
Les deux guerriers, from Poèmes pour Mi
Le collier, from Poèmes pour Mi
Première communion de la vierge, from Vingt Regards sur l’enfant Jésus
Regard de l'Esprit de Joie, from Vingt Regards sur l'Enfant-Jésus
Regard de la parole toute puissante, from Vingt Regard sur l'Enfant Jésus
Thème et Variations for Violin and Piano
Noël, from Vingt Regard sur l'Enfant Jésus
Regard de première communion de la Vierge, from Vingt Regard sur l'Enfant Jésus
Action de grâces, from Poèmes pour Mi
Performances by same musician(s)
Tzigane
Sonata for Violin and Piano
Composer’s Holiday, from Three American Pieces
Tzigane
Sonata for Violin and Piano No. 1, Op. 13
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