Having resigned his post in Salzburg, Mozart, accompanied by
his mother, set out in search of new employment. His journey, which started in
September 1777 and lasted until January 1789, took him to Mannheim, Paris and
Munich. During this time, he composed six sonatas for piano and violin that
were later published in Paris in 1778. The fourth of the set, the Sonata in E
minor, K. 304, and the only one in a minor key, is often considered Mozart's
musical response to the death of his mother in July 1778. Indeed, the sonata is
at times intensely expressive, particularly in the tender melody of the last
movement.
The two-movement sonata opens in an austere manner with a
plaintive melody given in octaves by the two instruments. Following an intense
outburst of grief, the melody is repeated again in the violin, with the special
indication "espressivo," over a somber harmonic accompaniment in the
piano. The second theme, though shifting to the key of the relative major,
offers little in the way consolation and one can sense the dark cloud of the
opening theme still overhead. Though well structured, the movement's sonata
form seems at times that it will inevitably crack under its emotional strain.
Interestingly, the recapitulation, after firmly grounding itself in the tonic
key, comes to a close with a half cadence. A brief coda necessarily concludes
the movement with a passage very similar to the closing of the first theme
during the exposition.
The final movement, marked Tempo di Menuetto, comes
off as resigned melancholy in the wake of the emotional first movement. Its
languid melody is restrained but also of entrancing beauty, making the finale
the better of the two movements. A brief moment of consolation is reached in
the E major trio section. The chorale-like melody sounds like a solemn hymn and
its subsequent repetition in the violin is quite tender. The respite is only
temporary and a truncated restatement of the opening E minor section brings the
sonata to a close.Joseph DuBose
__________________________________________
Violin Sonata in E minor, K. 304 W. A. Mozart
I. Allegro; II. Tempo di Menuetto
The
fourth of seven sonatas for piano and violin composed by Mozart in Mannheim and
Paris during 1778, the e minor Sonata is the only one in a minor key. Recent
paper dating has shown that while the opening Allegro was composed in Mannheim,
the following Tempo di Menuetto was composed in Paris, where Mozart and his
mother finally arrived on March 23. Like six of the seven sonati from this time,
K. 304 has only two movements, but it departs from the distinctly domestic feel
of the first three works in finding a new profundity of dramatic expression.
Mozart's
attempts to give greater equality to the violin in a genre traditionally
dominated by the keyboard here takes a further step forward in the opening
theme of the Allegro, which is dramatically announced complete by both
instruments in unison, after which it is taken up not by the piano, but the
violin. The Tempo di Menuetto movement that follows is less intense and includes
a section in the major key. The six sonatas K. 301 through K. 306 were
published in Paris later in 1778 as Opus 1, Nos. 1-6, with the title page
bearing a dedication to Maria Elisabeth, Electress of the Palatinate. For this
reason they are frequently known as the "Palatine Sonatas." Rachel Lee
Classical Music | Violin Music
Wolfgang Amadeus Mozart
Sonata in e minor for Piano and Violin, K. 304
PlayRecorded on 07/07/2010, uploaded on 01/04/2011
Musician's or Publisher's Notes
Having resigned his post in Salzburg, Mozart, accompanied by his mother, set out in search of new employment. His journey, which started in September 1777 and lasted until January 1789, took him to Mannheim, Paris and Munich. During this time, he composed six sonatas for piano and violin that were later published in Paris in 1778. The fourth of the set, the Sonata in E minor, K. 304, and the only one in a minor key, is often considered Mozart's musical response to the death of his mother in July 1778. Indeed, the sonata is at times intensely expressive, particularly in the tender melody of the last movement.
The two-movement sonata opens in an austere manner with a plaintive melody given in octaves by the two instruments. Following an intense outburst of grief, the melody is repeated again in the violin, with the special indication "espressivo," over a somber harmonic accompaniment in the piano. The second theme, though shifting to the key of the relative major, offers little in the way consolation and one can sense the dark cloud of the opening theme still overhead. Though well structured, the movement's sonata form seems at times that it will inevitably crack under its emotional strain. Interestingly, the recapitulation, after firmly grounding itself in the tonic key, comes to a close with a half cadence. A brief coda necessarily concludes the movement with a passage very similar to the closing of the first theme during the exposition.
The final movement, marked Tempo di Menuetto, comes off as resigned melancholy in the wake of the emotional first movement. Its languid melody is restrained but also of entrancing beauty, making the finale the better of the two movements. A brief moment of consolation is reached in the E major trio section. The chorale-like melody sounds like a solemn hymn and its subsequent repetition in the violin is quite tender. The respite is only temporary and a truncated restatement of the opening E minor section brings the sonata to a close. Joseph DuBose
__________________________________________
Violin Sonata in E minor, K. 304 W. A. Mozart
I. Allegro; II. Tempo di Menuetto
The fourth of seven sonatas for piano and violin composed by Mozart in Mannheim and Paris during 1778, the e minor Sonata is the only one in a minor key. Recent paper dating has shown that while the opening Allegro was composed in Mannheim, the following Tempo di Menuetto was composed in Paris, where Mozart and his mother finally arrived on March 23. Like six of the seven sonati from this time, K. 304 has only two movements, but it departs from the distinctly domestic feel of the first three works in finding a new profundity of dramatic expression.
Mozart's attempts to give greater equality to the violin in a genre traditionally dominated by the keyboard here takes a further step forward in the opening theme of the Allegro, which is dramatically announced complete by both instruments in unison, after which it is taken up not by the piano, but the violin. The Tempo di Menuetto movement that follows is less intense and includes a section in the major key. The six sonatas K. 301 through K. 306 were published in Paris later in 1778 as Opus 1, Nos. 1-6, with the title page bearing a dedication to Maria Elisabeth, Electress of the Palatinate. For this reason they are frequently known as the "Palatine Sonatas." Rachel LeeMore music by Wolfgang Amadeus Mozart
Soave sia il vento, from Così fan tutte
Rondo in D Major, K. 485
Hostias from Requiem K.626
Concerto No.21 Do major 2nd moviment
Sonata in D Major
Benedictus from Requiem K. 626
12 Variations in C Major on “Ah, vous dirai-je Maman” K. 265
Piano Concerto 12 KV 414 (1ºmov)
Piano Sonata No. 8 in a minor, K 310
Dies Irae from Requiem K. 626
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