Faust has been a popular character since its first appearance in German literature. In the nineteenth century, the story regained popularity when Goethe published his play, and it was natural that the famous story would be transformed by Charles Gounod into an opera, and then subsequently transcribed by Franz Liszt. In the same way as Mozart took a famous tune of the day to create twelve variations for the keyboard, Liszt often turned well-known melodies into concert paraphrases for his solo recitals.In his Valse de Faust, Liszt begins with the famous Waltz scene from the opera, then inserts material from the duet between Faust and Gretchen, while maximizing the pianistic effects with added cadenzas and a bravura coda.Notes by Esther Park
Classical Music | Piano Music
Franz Liszt
Valse de l'opéra Faust
PlayRecorded on 05/18/2016, uploaded on 01/17/2017
Musician's or Publisher's Notes
After Charles Gounod
Faust has been a popular character since its first appearance in German literature. In the nineteenth century, the story regained popularity when Goethe published his play, and it was natural that the famous story would be transformed by Charles Gounod into an opera, and then subsequently transcribed by Franz Liszt. In the same way as Mozart took a famous tune of the day to create twelve variations for the keyboard, Liszt often turned well-known melodies into concert paraphrases for his solo recitals. In his Valse de Faust, Liszt begins with the famous Waltz scene from the opera, then inserts material from the duet between Faust and Gretchen, while maximizing the pianistic effects with added cadenzas and a bravura coda. Notes by Esther Park
More music by Franz Liszt
Un Sospiro, from Trois Etudes de concert, S. 144
Tarantelle di bravura, S 386
Orage (Storm) from Book I Années de Pèlerinage: Suisse
Consolation no. 4, S.172
Consolation N° 3
Vallée d'Obermann from Book I Années de Pèlerinage: Suisse
Orage (Storm) from Book I Années de Pèlerinage: Suisse
Paraphrase on Quartet from Verdi’s “Rigoletto”
Years of Pilgrimage, First Year: Switzerland
Romance oubliée
Performances by same musician(s)
12 Variations in C Major on “Ah, vous dirai-je Maman” K. 265
L'Enharmonique, from Nouvelles suites de pièces de clavecin
L'Egyptienne, from Nouvelles suites de pièces de clavecin
Reflets dans l’eau, from Images, Book 1
Hommage à Rameau
Mouvement, from Images, Book 1
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