Drei Romanzen, Op. 22 for Clarinet and Piano, III. Leidenschaftlich schnell ClaraSchumann, arr. by Charles Neidich
Clara Schumann, wife of Robert Schumann and the most prolific female pianist of the Romantic era, once said that “women are not born to compose”. Despite this statement, and the social expectations of the mid-19th century, we are fortunate to have this set of pieces.
The Three Romances, Op. 22 were composed in 1853 as one of the last pieces Clara ever composed and consist of three movements. The first romance has an inner passion full of pathos despite the movement’s seemingly calm nature. This is portrayed by the elusive groupings of the notes within the triple meter, a technique reminiscent of works by Johannes Brahms. The second romance is more pensive with hints of playfulness. The finale romance, with its rippling arpeggios in the piano part, is exuberant in spirit, and reminds the listener of the finale of her husband’s works such as the Adagio and Allegro or the Fantasiestücke, Op. 73. Notes by Misuzu Tanaka
Classical Music | Music for Duo
Clara Schumann
Drei Romanzen, Op. 22 for Clarinet and Piano, III
PlayRecorded on 03/01/2017, uploaded on 11/02/2017
Musician's or Publisher's Notes
Drei Romanzen, Op. 22 for Clarinet and Piano, III. Leidenschaftlich schnell Clara Schumann, arr. by Charles Neidich
Clara Schumann, wife of Robert Schumann and the most prolific female pianist of the Romantic era, once said that “women are not born to compose”. Despite this statement, and the social expectations of the mid-19th century, we are fortunate to have this set of pieces.
The Three Romances, Op. 22 were composed in 1853 as one of the last pieces Clara ever composed and consist of three movements. The first romance has an inner passion full of pathos despite the movement’s seemingly calm nature. This is portrayed by the elusive groupings of the notes within the triple meter, a technique reminiscent of works by Johannes Brahms. The second romance is more pensive with hints of playfulness. The finale romance, with its rippling arpeggios in the piano part, is exuberant in spirit, and reminds the listener of the finale of her husband’s works such as the Adagio and Allegro or the Fantasiestücke, Op. 73. Notes by Misuzu Tanaka
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Drei Romanzen, Op. 22 for Clarinet and Piano, I
Drei Romanzen, Op. 22 for Clarinet and Piano, II
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Piano Sonata in g minor, III. Scherzo
Three Romances op. 22
Performances by same musician(s)
Drei Romanzen, Op. 22 for Clarinet and Piano, I
Drei Romanzen, Op. 22 for Clarinet and Piano, II
Intermezzo from “F-A-E” Sonata
Sonata in E-flat Major for Clarinet and Piano, Op. 120, No. 2
Abendlied, from 12 Klavierstücke für kleine und große Kinder, Op. 85
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