Un'aura amorosa from Così fan tutte, arranged by Sam Boutris
Written just a year before his death, Mozart’s 1790 Così fan tutte chronicles a ridiculous web of fiancée-swapping, opening with a wager between two lovestruck soldiers and a more cynical onlooker, who hatches a ruse to prove the soldiers’ betrotheds to be fickle lovers. As advertised by the opera’s title, sometimes translated as “All Women Do It”, the soldiers’ confidence at the outset is misplaced. But when a starry-eyed Fernando sings his tender aria “Un’aura amorosa”, he is full of trust and devotion — if only for the moment. One of several masterpieces in miniature that lavish Mozart’s score, “Un’aura amorosa” croons with the heartfelt simplicity that began to emerge as a new style at the tail end of the composer’s life. It shares its sunny, understated beauty with The Magic Flute and his Clarinet Concerto of the following year, and thus seems at home in the mellow voice of the clarinet, which Mozart held especially dear at the end of his life. Notes by Graeme Steele Johnson
Classical Music | Clarinet Music
Wolfgang Amadeus Mozart
Un'aura amorosa, from Così fan tutte
PlayRecorded on 10/30/2019, uploaded on 04/02/2020
Musician's or Publisher's Notes
Un'aura amorosa from Così fan tutte, arranged by Sam Boutris
Written just a year before his death, Mozart’s 1790 Così fan tutte chronicles a ridiculous web of fiancée-swapping, opening with a wager between two lovestruck soldiers and a more cynical onlooker, who hatches a ruse to prove the soldiers’ betrotheds to be fickle lovers. As advertised by the opera’s title, sometimes translated as “All Women Do It”, the soldiers’ confidence at the outset is misplaced. But when a starry-eyed Fernando sings his tender aria “Un’aura amorosa”, he is full of trust and devotion — if only for the moment. One of several masterpieces in miniature that lavish Mozart’s score, “Un’aura amorosa” croons with the heartfelt simplicity that began to emerge as a new style at the tail end of the composer’s life. It shares its sunny, understated beauty with The Magic Flute and his Clarinet Concerto of the following year, and thus seems at home in the mellow voice of the clarinet, which Mozart held especially dear at the end of his life. Notes by Graeme Steele Johnson
More music by Wolfgang Amadeus Mozart
Lacrimosa from Requiem K. 626
Violin Sonata No. 28 in E Flat Major, K. 380
Rondo in D Major, K. 485
Soave sia il vento, from Così fan tutte
Hostias from Requiem K.626
Sonata in D Major
Concerto No.21 Do major 2nd moviment
12 Variations in C Major on “Ah, vous dirai-je Maman” K. 265
Benedictus from Requiem K. 626
Piano Concerto 12 KV 414 (1ºmov)
Performances by same musician(s)
Concert Fantasia on Motives from Verdi's Rigoletto
Fantasiestücke, Op. 73
Canzonetta, Op. 19
Vocalise-étude en forme de Habanera
Cantilène
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