Schumann penned his Fantasiestüke, Op. 73 over just two days in February 1849, and their mercurial spirit bespeaks the dueling personas of Florestan and Eusebius, the composer’s imaginary characters — impetuous and sensitive, respectively — that inhabit so much of his music. The set comes across as three “songs without words,” written in stream of consciousness: the first is searching and plaintive, the middle movement untroubled with a tinge of nostalgia at the end, and the last animated and hesitating, though all three share a certain obsessive, circular quality. In each movement, the coda feels especially magical — a sort of winking last word that seems to set aside whatever disjunction preceded it.Notes by Graeme Steele Johnson
Classical Music | Clarinet Music
Robert Schumann
Fantasiestücke, Op. 73
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Recorded on 10/30/2019, uploaded on 04/02/2020
Musician's or Publisher's Notes
I. Zart und mit Ausdruck
II. Lebhaft, leicht
III. Rasch und mit Feuer
Schumann penned his Fantasiestüke, Op. 73 over just two days in February 1849, and their mercurial spirit bespeaks the dueling personas of Florestan and Eusebius, the composer’s imaginary characters — impetuous and sensitive, respectively — that inhabit so much of his music. The set comes across as three “songs without words,” written in stream of consciousness: the first is searching and plaintive, the middle movement untroubled with a tinge of nostalgia at the end, and the last animated and hesitating, though all three share a certain obsessive, circular quality. In each movement, the coda feels especially magical — a sort of winking last word that seems to set aside whatever disjunction preceded it. Notes by Graeme Steele Johnson
More music by Robert Schumann
Maerchenbilder for viola and piano - I mov, op.113
Intermezzo Op 26 / 4
Carnaval, Op. 9
Adagio and Allegro, Op. 70
Wehmuth, from Liederkreis, Op. 39
Novellette no. 6 in A Major: Sehr lebhaft mit vielem Humor, from Novelletten, Op. 21
Nur wer die Sehnsucht kennt, from Lieder und Gesänge aus Wilhelm Meister
Presto Passionato in g minor, Op. 22a
Faschingsschwank aus Wien, Op. 26 (Carnival of Vienna)
Sonata No. 1 for Violin and Piano in A minor, Op. 105
Performances by same musician(s)
Concert Fantasia on Motives from Verdi's Rigoletto
Canzonetta, Op. 19
Un'aura amorosa, from Così fan tutte
Vocalise-étude en forme de Habanera
Cantilène
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