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A beautiful song by the great Robert Schumann. Steven Ebel did an excellent job on the vocals as did Daniel Scholseberg on the piano.
Submitted by dneff on Fri, 05/18/2012 - 06:43.
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Classical Music | Tenor
Robert Schumann
Wehmuth, from Liederkreis, Op. 39
PlayRecorded on 08/11/2010, uploaded on 10/27/2011
Musician's or Publisher's Notes
Robert Schumann composed two song cycles with the title Liederkreis, both in 1840, the year of his marriage to Clara and known as his magnificently prolific “Year of Song.” The first cycle was a collection of poems by Heinrich Heine composed near the beginning of the year and published as Schumann’s opus 24. The second, however, was crafted from selections from Josesh Eichendorff’s Intermezzo and published as his opus 39. Unlike Schumann’s other song cycles, opus 39 does not possess the usual musical connections between its constituents that one would normally expect to find. On the other hand, it does put on display Schumann’s growing talent as a composer of song. He, himself, described them as his “most Romantic music ever.” Within the songs, the piano is elevated to a position of equal importance with the voice, creating and amplifying through musical tones the Romantic world of Eichendorff’s poetry.
From Eichendorff’s poem Ich kann wohl manchmal singen (“Sometimes I can sing”), the ninth song of Schumann’s cycle, Wehmuth, is a melancholy song. The poet likens himself to a nightingale, which all that hear listen in wonder of the bird’s song but no one perceives the longing and sadness that lies within. Schumann’s setting is straightforward yet captures the hidden emotions of Eichendorff’s text. A simple arpeggiated E major chord is the only prelude given the voice. The vocal melody is lyrical and at first seems cut from a traditional cloth. Yet, it possesses an intense longing, drifting into an unsettled chromatic landscape in the second stanza. The piano accompaniment is likewise simple on its surface. It is constructed as a rich contrapuntal four-part harmonic accompaniment to the voice of which the top line hardly deviates from the vocal melody except at the cadences where it takes up the burden of carrying the melody until the voice resumes. Joseph DuBose
More music by Robert Schumann
Maerchenbilder for viola and piano - I mov, op.113
Novellette no. 6 in A Major: Sehr lebhaft mit vielem Humor, from Novelletten, Op. 21
Nur wer die Sehnsucht kennt, from Lieder und Gesänge aus Wilhelm Meister
Intermezzo Op 26 / 4
Carnaval, Op. 9
Adagio and Allegro, Op. 70
Presto Passionato in g minor, Op. 22a
Faschingsschwank aus Wien, Op. 26 (Carnival of Vienna)
Sonata No. 1 for Violin and Piano in A minor, Op. 105
Kinderszenen, Op. 15
Performances by same musician(s)
Liebeslied, Op. 51, No. 5
Frühlingsnacht, from Liederkreis, Op. 39
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