Modest Mussorgsky composed his Pictures at an Exhibition in the first three weeks of June 1874 to perpetuate the memory of a dear friend, Victor Hartmann, an architect who died suddenly at the age of 39.Mussorgsky was devastated. A year after Hartmann’s death a memorial exhibition of the artist's drawings, paintings, and designs was organized by Vladimir Stassov, a noted critic and the journalistic champion of the Russian arts movement. Mussorgsky attended this exhibition and was inspired and moved by what he saw. The result was a piano piece – now often heard in Ravel’s orchestral version – that sought to invoke inspiration from ten of the pictures Mussorgsky saw there. Due to time restrictions, there are only four “pictures” and two promenades on today’s program. The three humorous and grotesque “pictures” (Tuileries, Ballet, and Limoges) are followed by the final grandiose and ceremonial “The Great Gate of Kiev”.Anastasia Seifetdinova
Classical Music | Piano Music
Modest Mussorgsky
Pictures at an Exhibition, excerpts
PlayRecorded on 08/31/2011, uploaded on 03/06/2012
Musician's or Publisher's Notes
I. Promenade
II. Tuileries: Children Quarreling at Play
III. Promenade
IV. Ballet of the Unhatched Chicks
V. The Market at Limoges
VI. The Great Gate of Kiev
Modest Mussorgsky composed his Pictures at an Exhibition in the first three weeks of June 1874 to perpetuate the memory of a dear friend, Victor Hartmann, an architect who died suddenly at the age of 39. Mussorgsky was devastated. A year after Hartmann’s death a memorial exhibition of the artist's drawings, paintings, and designs was organized by Vladimir Stassov, a noted critic and the journalistic champion of the Russian arts movement. Mussorgsky attended this exhibition and was inspired and moved by what he saw. The result was a piano piece – now often heard in Ravel’s orchestral version – that sought to invoke inspiration from ten of the pictures Mussorgsky saw there. Due to time restrictions, there are only four “pictures” and two promenades on today’s program. The three humorous and grotesque “pictures” (Tuileries, Ballet, and Limoges) are followed by the final grandiose and ceremonial “The Great Gate of Kiev”. Anastasia Seifetdinova
More music by Modest Mussorgsky
Pictures at an Exhibition
Pictures at an Exhibition
Pictures at an Exhibition
Night on Bald Mountain
Serenade, from The Songs and Dances of Death
The hobby-horse
Pictures at an Exhibition (excerpts) (orch. Maurice Ravel)
In the Corner
Evening Prayer
Lullaby, from The Songs and Dances of Death
Performances by same musician(s)
Faschingsschwank aus Wien, Op. 26 (Carnival of Vienna)
Prelude Op. 23 no. 5 in g minor
Ballet Suite for Piano from The Nutcracker
Improvisations on Hungarian peasant songs, Op.20, Sz.74
Prelude Op. 23 no. 2 in B Flat Major
Prelude Op. 23 no. 6 in E-flat Major
Ondine, from Gaspar de la Nuit
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