Modest Petrovich Mussorgsky was a member of The Five, Mily Balakirev's group dedicated to
"producing a distinctly Russian kind of music". Although Night on Bald Mountain
was originally scored for orchestra, it is played here today in a piano
transcription by the Russian composer and pianist Konstantin Tchernov.
Some interpret this
composition as St. John
being caught on top of a mountain during a violent storm, or in a struggle to reach
the top as a test of his faith in God. The autograph score
contains Mussorgsky's own programmatic titles for each of the work's four main
sections: 1. Gathering of the witches, talking and gossiping; 2. Satan's ride
to Hell; 3. Black Mass; 4. Witches' Sabbath. Mussorgsky
uses dynamics
and a deep understanding of how to create emotions
and paint a picture with music. Occasionally, sections of what seems to be
silliness appear, which may refer to the human ability to inject humor into any situation.
Mussorgsky either never completely finished the piece
or it was seen as too dismal by fellow musicians, and consequently composer and
friend Rimsky-Korsakov edited much of it, and upon Mussorgsky's death added the
quiet ending section (representing church bells ringing and driving the satanic
forces on the mountain back into Hell). Sonya Bach
Classical Music | Piano Music
Modest Mussorgsky
Night on Bald Mountain
PlayRecorded on 05/03/2005, uploaded on 01/10/2009
Musician's or Publisher's Notes
Night on Bald Mountain Modest Mussorgsky
Modest Petrovich Mussorgsky was a member of The Five, Mily Balakirev's group dedicated to "producing a distinctly Russian kind of music". Although Night on Bald Mountain was originally scored for orchestra, it is played here today in a piano transcription by the Russian composer and pianist Konstantin Tchernov.
Some interpret this composition as St. John being caught on top of a mountain during a violent storm, or in a struggle to reach the top as a test of his faith in God. The autograph score contains Mussorgsky's own programmatic titles for each of the work's four main sections: 1. Gathering of the witches, talking and gossiping; 2. Satan's ride to Hell; 3. Black Mass; 4. Witches' Sabbath. Mussorgsky uses dynamics and a deep understanding of how to create emotions and paint a picture with music. Occasionally, sections of what seems to be silliness appear, which may refer to the human ability to inject humor into any situation.
Mussorgsky either never completely finished the piece or it was seen as too dismal by fellow musicians, and consequently composer and friend Rimsky-Korsakov edited much of it, and upon Mussorgsky's death added the quiet ending section (representing church bells ringing and driving the satanic forces on the mountain back into Hell). Sonya Bach
More music by Modest Mussorgsky
Pictures at an Exhibition
Pictures at an Exhibition
Pictures at an Exhibition
Pictures at an Exhibition, excerpts
Serenade, from The Songs and Dances of Death
The hobby-horse
Pictures at an Exhibition (excerpts) (orch. Maurice Ravel)
In the Corner
Evening Prayer
Lullaby, from The Songs and Dances of Death
Performances by same musician(s)
Prelude Op. 23 No. 5
Prelude Op. 23 No. 4
Islamey (Oriental Fantasy)
Laments, Or the Maiden and the Nightingale
Prelude Op. 23 No. 6
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