Bartók had a deep and abiding interest in Hungarian and Romanian folk music, spending several years of his youth engaged in traveling through the countryside, recording and cataloging folk tunes. Later in life, as his international reputation as a composer and pianist grew, the pieces written with these folk influences became increasingly popular. In 1928, Bartók had a number of performances planned with famous Hungarian violinists, and he wrote this piece alongside other chamber works to play on tour. The Rhapsody performed today follows the pattern of Lizst’s Hungarian Rhapsodies which Bartók knew well: it is in two sections, Lassú (slow) and Friss (fast), which string together a collection of Romanian, Hungarian and Ruthenian folk tunes. The first movement begins with a powerfully rhythmic figure, which becomes singing in a contrasting middle section. The second movement starts with a dance-like figure that gradually accelerates to great speed, building up excitement and eventually breaking down in chromatic chaos. The piece ends with a brief restatement of the first tune and a virtuosic flourish.Francesca Anderegg
Classical Music | Violin Music
Béla Bartók
Rhapsody No. 1
PlayRecorded on 05/29/2013, uploaded on 01/16/2014
Musician's or Publisher's Notes
Bartók had a deep and abiding interest in Hungarian and Romanian folk music, spending several years of his youth engaged in traveling through the countryside, recording and cataloging folk tunes. Later in life, as his international reputation as a composer and pianist grew, the pieces written with these folk influences became increasingly popular. In 1928, Bartók had a number of performances planned with famous Hungarian violinists, and he wrote this piece alongside other chamber works to play on tour. The Rhapsody performed today follows the pattern of Lizst’s Hungarian Rhapsodies which Bartók knew well: it is in two sections, Lassú (slow) and Friss (fast), which string together a collection of Romanian, Hungarian and Ruthenian folk tunes. The first movement begins with a powerfully rhythmic figure, which becomes singing in a contrasting middle section. The second movement starts with a dance-like figure that gradually accelerates to great speed, building up excitement and eventually breaking down in chromatic chaos. The piece ends with a brief restatement of the first tune and a virtuosic flourish. Francesca Anderegg
More music by Béla Bartók
Music for Strings, Percussion and Celesta
Second Rhapsody for violin and piano
String Quartet No. 1, Sz. 40
First Rhapsody: Prima parte, “Lassu”
Six Romanian Popular Songs
Two Portraits, Op. 5, No. 1 "Idealistic" Andante sostenuto
Romanian Folk Dances
Improvisations on Hungarian Peasant Songs, Op. 20
Suite Paysanne Hongroise
Romanian Folk Dances
Performances by same musician(s)
Sonata for Violin and Piano
Imagined Archipelagos
Três Peças
Sonata-Fantasia No. 1 “Désespérance”
Libertango
Oblivion
Escualo
Pampeana No. 1: Rhapsodie for Violin and Piano
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