Des Sängers Habe (“The Singer’s Possession”) by Franz von Schlecta, a school friend of Schubert, explores the connection between the artist and his art. For the singer, his zither is all that is important. All else could be taken from him; love and friendship could fail him. Yet, as long as he has his zither, he is “rich and happy.” Schubert set von Schlecta’s poem in February 1825. By this time, Schubert’s health was already in decline and it is possible Des Sängers Habe was his response to the illness that was slowing taking his life. His setting, however, is defiant. Bold octaves open the song and its B-flat major tonality is instantly thrown into flux with the appearance of D-flat in the first full measure. The vocal melody, emphasizing a dotted-eighth rhythm, is confident and presses on despite the troubled music that surrounds it. The defiant tone is abandoned at the beginning of the fifth stanza. The tonality shifts more towards B-flat minor and the music becomes more contemplative. The key of B-flat major is regained at the close of the sixth and final stanza and the song ends peacefully. Joseph DuBose
Classical Music | Baritone
Franz Schubert
Des Sängers Habe
PlayRecorded on 10/12/2004, uploaded on 01/18/2009
Musician's or Publisher's Notes
Des Sängers Habe (“The Singer’s Possession”) by Franz von Schlecta, a school friend of Schubert, explores the connection between the artist and his art. For the singer, his zither is all that is important. All else could be taken from him; love and friendship could fail him. Yet, as long as he has his zither, he is “rich and happy.” Schubert set von Schlecta’s poem in February 1825. By this time, Schubert’s health was already in decline and it is possible Des Sängers Habe was his response to the illness that was slowing taking his life. His setting, however, is defiant. Bold octaves open the song and its B-flat major tonality is instantly thrown into flux with the appearance of D-flat in the first full measure. The vocal melody, emphasizing a dotted-eighth rhythm, is confident and presses on despite the troubled music that surrounds it. The defiant tone is abandoned at the beginning of the fifth stanza. The tonality shifts more towards B-flat minor and the music becomes more contemplative. The key of B-flat major is regained at the close of the sixth and final stanza and the song ends peacefully. Joseph DuBose
Des Sängers Habe Franz Schubert
Schlagt mein ganzes Glück in Splitter,
Nehmt mir alle Habe gleich,
Lasset mir nur meine Zither,
Und ich bleibe froh und reich.
Wenn des Grames Wolken ziehen,
Haucht sie Trost in meine Brust,
Und aus ihrem Golde blühen
Alle Blumen meiner Lust.
Freundschaft brechen ihre Pflicht,
Kann ich beide stolz entbehren,
Aber meine Zither nicht.
Reißet meines Lebens Sehne,
Wird sie mir ein Kissen sein,
lullen mich die süßen Töne
In den letzten Schlummer ein.
In den Grund des Tannenhaines
Senkt mich leise dann hinab;
Und statt eines Leichensteines
Stellt die Zither auf mein Grab,
Daß ich, wenn zum stillen Reigen,
Aus des Todes dunklem Bann,
Mitternachts die Geister steigen,
Ihre Saiten rühren kann.
--Franz Xavier Freiherr von Schlechta
The Minstrel's Treasure
Shatter my happiness,
Take from me all that I have,
Only leave me my zither
And I shall still be glad and rich.
When clouds of sorrow gather
It breathes comfort into my house.
From its golden strains blossom
All the flowers of my joy.
If love doesn't answer
And friendship fails in its duty,
I can proudly do without them both,
But not without my zither.
When the sinews of my life are torn
It will serve me as a pillow.
Its sweet songs will lull me
To my final slumber.
Then, in the grove of fir trees,
Quietly lay me down,
But instead of a tombstone
Place the zither on my grave.
So that at midnight
When the spirits from death's dark realm
To dance their silent round,
I can play on its strings.
--Franz Xavier Freiherr von Schlechta
More music by Franz Schubert
Der Wanderer an den Mond
Tränenregen, from Die schöne Müllerin
Moment musicaux, D. 780 No. 4
Erlkönig
Piano Sonata D. 958, Finale: Allegro
Sonata in B-flat Major, Op. 30, D617
Impromptu Op. 90 No. 2 in E-flat Major, D. 899
Notturno
Impromptu Op 90 N° 3
Standchen, Lieder for Flute and Piano
Performances by same musician(s)
Der Wanderer an den Mond
Fischerweise
Das Fischermädchen
Der Einsame
Der Geistertanz
Am Flusse
An die Laute
Das Lied im Grünen
Der Liebliche Stern
Fischerlied
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