Romanian Folk DancesBéla Bartók, arranged by Luigi Silva
I. Joc cu bâta (Stick Dance) II. Brâul (Sash Dance) III. Pe Loc (Stamping Dance) IV. Buciumeana (Horn Dance) V. Poarca Româneasca (Romanian Polka) VI. Maruntel (Quick Dance)
From 1905 to 1914, Bartók traveled throughout his native countryside with fellow Hungarian composer Zoltán Kodály, collecting more than 6,000 folk pieces, many of which had never been heard outside the remote villages from which they came. Bartók used the folk songs in many guises, including as pedagogical tools, ethno-musicological records, or in this case, concert pieces.
Written in 1915, Romanian Folk Dances features six dance tunes that Bartók discovered in Transylvania. He arranged the collection for solo piano and later for orchestra. Since then, the work has been arranged for nearly all instrument combinations, including this colorful version for cello and piano. The six dances feature many elements characteristic of the folk songs Bartók discovered, such as modal tonality, asymmetric meters, and an austere character. They range in spirit and intent, from festive (Stick Dance) to graceful (Hornpipe Dance) to lively (Fast Dance).Laura Usiskin
Classical Music | Cello Music
Béla Bartók
Romanian Folk Dances
PlayRecorded on 01/07/2015, uploaded on 06/04/2015
Musician's or Publisher's Notes
Romanian Folk Dances Béla Bartók, arranged by Luigi Silva
I. Joc cu bâta (Stick Dance)
II. Brâul (Sash Dance)
III. Pe Loc (Stamping Dance)
IV. Buciumeana (Horn Dance)
V. Poarca Româneasca (Romanian Polka)
VI. Maruntel (Quick Dance)
From 1905 to 1914, Bartók traveled throughout his native countryside with fellow Hungarian composer Zoltán Kodály, collecting more than 6,000 folk pieces, many of which had never been heard outside the remote villages from which they came. Bartók used the folk songs in many guises, including as pedagogical tools, ethno-musicological records, or in this case, concert pieces.
Written in 1915, Romanian Folk Dances features six dance tunes that Bartók discovered in Transylvania. He arranged the collection for solo piano and later for orchestra. Since then, the work has been arranged for nearly all instrument combinations, including this colorful version for cello and piano. The six dances feature many elements characteristic of the folk songs Bartók discovered, such as modal tonality, asymmetric meters, and an austere character. They range in spirit and intent, from festive (Stick Dance) to graceful (Hornpipe Dance) to lively (Fast Dance). Laura Usiskin
More music by Béla Bartók
Music for Strings, Percussion and Celesta
Second Rhapsody for violin and piano
String Quartet No. 1, Sz. 40
First Rhapsody: Prima parte, “Lassu”
Six Romanian Popular Songs
Two Portraits, Op. 5, No. 1 "Idealistic" Andante sostenuto
Rhapsody No. 1
Romanian Folk Dances
Improvisations on Hungarian Peasant Songs, Op. 20
Suite Paysanne Hongroise
Performances by same musician(s)
Cello Sonata No. 3 in A Major, Op. 69
Silent Woods, Op. 68, No. 5
Classical Music for the Internet Era™
Courtesy of International Music Foundation.