Dance
Preludes for clarinet and piano Witold
Lutoslawski
I Allegro
molto; II Andantino; III Allegro giocoso; IV Andante; V Allegro molto
Possibly the most significant Polish
composer since Chopin, Witold Lutoslawski was one of the major European
composers of the 20th century.
His earlier works are characterized by the influence of Polish folk
music combined with a wide range of rich atmospheric textures. The Dance Preludes, written in 1954, display
these qualities as well as a clear, fresh tonality distantly related to Bartok Although these Dance Preludes are based on
folkloristic melodies, they are more than a simple arrangement, rather
providing a blueprint for the freely-treated melodic shape of the pieces. Lutoslawski completed this
piece for clarinet and piano in 1954. The following year, he re-worked it for
clarinet, harp, piano, percussion and strings and four years later he produced
a third version for the Czech Nonet (woodwind quintet with violin, viola, cello
and double bass). The work is in five movements and is based on folk songs from
northern Poland, although the original folk material has been so seamlessly interwoven
as to make any precise identification impossible. The composer has referred to it as "My
farewell to folklore for an indefinite period." . Alexander Fiterstein
Classical Music | Clarinet Music
Witold Lutoslawski
Dance Preludes
PlayRecorded on 12/14/2005, uploaded on 02/05/2009
Musician's or Publisher's Notes
Dance Preludes for clarinet and piano Witold Lutoslawski
I Allegro molto; II Andantino; III Allegro giocoso; IV Andante; V Allegro molto
Possibly the most significant Polish composer since Chopin, Witold Lutoslawski was one of the major European composers of the 20th century. His earlier works are characterized by the influence of Polish folk music combined with a wide range of rich atmospheric textures. The Dance Preludes, written in 1954, display these qualities as well as a clear, fresh tonality distantly related to Bartok Although these Dance Preludes are based on folkloristic melodies, they are more than a simple arrangement, rather providing a blueprint for the freely-treated melodic shape of the pieces. Lutoslawski completed this piece for clarinet and piano in 1954. The following year, he re-worked it for clarinet, harp, piano, percussion and strings and four years later he produced a third version for the Czech Nonet (woodwind quintet with violin, viola, cello and double bass). The work is in five movements and is based on folk songs from northern Poland, although the original folk material has been so seamlessly interwoven as to make any precise identification impossible. The composer has referred to it as "My farewell to folklore for an indefinite period." . Alexander Fiterstein
More music by Witold Lutoslawski
Concerto for Orchestra (Cappriccio notturno e arioso)
Dance Preludes
Variations on a Theme by Paganini
Subito for Violin and Piano
String Quartet
Mi-Parti
Symphony no. 3
Performances by same musician(s)
Märchenerzählungen (Fairy Tales) Op. 132 for Clarinet, Viola and Piano
Trio in a minor, Op. 114 for Clarinet, Cello and Piano
Sonata for Clarinet and Piano in f minor, Op. 120, No. 1
For an Actor: Monologue for Clarinet
Grand Duo Concertant, Op. 48
Sonata for Clarinet and Piano
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