Variations
on an Original Theme in A-Flat Major, Op. 35, D813 Franz Schubert
Piano duet was a very
popular medium in Vienna. For Schubert, duets were not just a profitable enterprise,
but also a means to have his music heard by friends, who would delight in
performing together during private soirees. These variations were written in
1824, during Schubert's summer engagement by the Esterhazys in Upper Austria. While there, he fell in love with the younger of
his two pupils, Countess Caroline. It was presumably for Caroline and her
sister that Schubert wrote these Variations as well as the Sonata known as the
Grand Duo. There are seven variants on the twenty-four-measure theme, which is
ideally suited to such treatment. The transformations to which Schubert
subjects his march-like and, at the same time, lyrically restrained theme, are
full of subtle chromatic coloring and bold harmonic progressions. Schubert
maintains interest for both performers with a wealth of textures and a variety
of rhythmic configurations. Michael Cansfield
Classical Music | Music for Duo
Franz Schubert
Variation on an Original Theme in A-Flat Major, Op. 35, D813
PlayRecorded on 03/13/2007, uploaded on 01/19/2009
Musician's or Publisher's Notes
Variations on an Original Theme in A-Flat Major, Op. 35, D813 Franz Schubert
Piano duet was a very popular medium in Vienna. For Schubert, duets were not just a profitable enterprise, but also a means to have his music heard by friends, who would delight in performing together during private soirees. These variations were written in 1824, during Schubert's summer engagement by the Esterhazys in Upper Austria. While there, he fell in love with the younger of his two pupils, Countess Caroline. It was presumably for Caroline and her sister that Schubert wrote these Variations as well as the Sonata known as the Grand Duo. There are seven variants on the twenty-four-measure theme, which is ideally suited to such treatment. The transformations to which Schubert subjects his march-like and, at the same time, lyrically restrained theme, are full of subtle chromatic coloring and bold harmonic progressions. Schubert maintains interest for both performers with a wealth of textures and a variety of rhythmic configurations. Michael Cansfield
More music by Franz Schubert
Der Wanderer an den Mond
Tränenregen, from Die schöne Müllerin
Moment musicaux, D. 780 No. 4
Erlkönig
Piano Sonata D. 958, Finale: Allegro
Sonata in B-flat Major, Op. 30, D617
Impromptu Op. 90 No. 2 in E-flat Major, D. 899
Notturno
Impromptu Op 90 N° 3
Standchen, Lieder for Flute and Piano
Performances by same musician(s)
Valse, from Six Morceaux, Op. 11
Ma Mère l'Oye, cinq pièces enfantines (Mother Goose)
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