I. Allegro Agitato II. Pensive, but not too slow III. Dolce con brio
Composer Robert Kritz created his Connections in Three Movements for
the Orion Ensemble in 2001, who premiered the work as part of the Dame Myra
Hess series broadcast on WFMT radio. In writing for Orion, Kritz has said he
aimed to showcase the "virtuosity and remarkable versatility of the
ensemble." To that end, Kritz's Connections integrates technical
challenge with a romantic lyricism so evident in this recording.
The title Connections resonates on several levels. Writer Phyllis
Magida captured Kritz's unified whole in this overview: "The first
movement is agitated, as if seeking an anchor of tonal and emotional stability.
In the second we are calmed, but the questioning of purpose continues in quiet...
thought behind a contagiously melodic lyricism. The third movement... sings in
contemporary harmonies ... pulling all the themes together in a joyous,
dance-like expression of our universal need to 'connect' with one
another."
Connections also recalls the inter-connected compositional style of
the late nineteenth century, in which repeated melodic fragments link all
movements. Even if disguised, these fragments may be "subliminally
recognized."
In 1995 Robert Kritz had the distinction of returning-at age 69 and after
several decades' hiatus-to the composition of fine chamber works, an event met
with critical hurrahs. Ultimately, the title Connections reflects the
composer's philosophy of music and life: that both are worthwhile when connections
are made with other people.
Susan Fisher Miller,
Bonnie Campbell and Orion Ensemble musicians
Classical Music | Ensemble Music
Robert Kritz
Connections
PlayRecorded on 01/01/2000, uploaded on 11/01/2009
Musician's or Publisher's Notes
Connections Robert Kritz
I. Allegro Agitato
II. Pensive, but not too slow
III. Dolce con brio
Composer Robert Kritz created his Connections in Three Movements for the Orion Ensemble in 2001, who premiered the work as part of the Dame Myra Hess series broadcast on WFMT radio. In writing for Orion, Kritz has said he aimed to showcase the "virtuosity and remarkable versatility of the ensemble." To that end, Kritz's Connections integrates technical challenge with a romantic lyricism so evident in this recording.
The title Connections resonates on several levels. Writer Phyllis Magida captured Kritz's unified whole in this overview: "The first movement is agitated, as if seeking an anchor of tonal and emotional stability. In the second we are calmed, but the questioning of purpose continues in quiet... thought behind a contagiously melodic lyricism. The third movement... sings in contemporary harmonies ... pulling all the themes together in a joyous, dance-like expression of our universal need to 'connect' with one another."
Connections also recalls the inter-connected compositional style of the late nineteenth century, in which repeated melodic fragments link all movements. Even if disguised, these fragments may be "subliminally recognized."
In 1995 Robert Kritz had the distinction of returning-at age 69 and after several decades' hiatus-to the composition of fine chamber works, an event met with critical hurrahs. Ultimately, the title Connections reflects the composer's philosophy of music and life: that both are worthwhile when connections are made with other people.
Susan Fisher Miller, Bonnie Campbell and Orion Ensemble musicians
More music by Robert Kritz
Diaspora Dances
Blues Reflection, from Two Studies in Blue
Lyric Piece for Clarinet and String Quartet
Performances by same musician(s)
Quartet in E-flat Major for Clarinet, Violin, Cello, and Piano, Op. 1
Serenade for Three
Angel Musings
Earth Voices
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