Bela
Bartok's second string quartet was written between 1915 and 1917. The premiere was on March
3, 1918 by
the Waldbauer-Kerpely string quartet, to whom the piece was dedicated. During this period Bartok composed his first
ballet, Wooden Prince, and his
one-act opera, Bluebeard's Castle,
was premiered. He also began work on his
second ballet, The Miraculous Mandarin. The second string quartet is an
unconventional three-movement work - the first two of which will be performed
today. Though the first movement is
written in a conventional sonata form (with an exposition, development, and
recapitulation), it explores a new world of colors and textures. The expression is a blend of haunting mysticism
and restless passion. The second
movement is a wild and extroverted contrast to the first. Before World War I, Bartok had studied and
arranged folk music which he and Zoltan Kodaly had collected in their travels
throughout middle-Europe. This movement shows
many of these folk influences and reminds listeners of an earlier piano piece,
the familiar Allegro Barbaro.
Often rough and even brutal, other times dancing and fanciful, it
concludes with a breathtaking (and dangerously fast!) Prestissimo. Jocelyn
Butler
Classical Music | Music for Quartet
Béla Bartók
Quartet No. 2, Op. 17 (Parts 1 and 2)
PlayRecorded on 08/08/2006, uploaded on 01/19/2009
Musician's or Publisher's Notes
Quartet No. 2, Op. 17 Béla Bartók
Bela Bartok's second string quartet was written between 1915 and 1917. The premiere was on March 3, 1918 by the Waldbauer-Kerpely string quartet, to whom the piece was dedicated. During this period Bartok composed his first ballet, Wooden Prince, and his one-act opera, Bluebeard's Castle, was premiered. He also began work on his second ballet, The Miraculous Mandarin. The second string quartet is an unconventional three-movement work - the first two of which will be performed today. Though the first movement is written in a conventional sonata form (with an exposition, development, and recapitulation), it explores a new world of colors and textures. The expression is a blend of haunting mysticism and restless passion. The second movement is a wild and extroverted contrast to the first. Before World War I, Bartok had studied and arranged folk music which he and Zoltan Kodaly had collected in their travels throughout middle-Europe. This movement shows many of these folk influences and reminds listeners of an earlier piano piece, the familiar Allegro Barbaro. Often rough and even brutal, other times dancing and fanciful, it concludes with a breathtaking (and dangerously fast!) Prestissimo. Jocelyn Butler
More music by Béla Bartók
Music for Strings, Percussion and Celesta
Second Rhapsody for violin and piano
String Quartet No. 1, Sz. 40
First Rhapsody: Prima parte, “Lassu”
Six Romanian Popular Songs
Rhapsody No. 1
Romanian Folk Dances
Improvisations on Hungarian Peasant Songs, Op. 20
Two Portraits, Op. 5, No. 1 "Idealistic" Andante sostenuto
Suite Paysanne Hongroise
Performances by same musician(s)
String Quartet No. 11 in f minor, Op. 95, Serioso
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