(originally written for the horn, transcribed for the saxophone).
The Adagio and Allegro dates from 1849, when Schumann was in good health and spirits, and producing music with greater ease and speed than at almost any other time in his life — some thirty works date from what he referred to as "my most fruitful year." He originally composed the piece for French horn and piano but specified it could be performed by other instruments, specifically the cello or the violin.More recently, it has been taken up by oboists and clarinetists, and today is performed on soprano saxophone.
It is a work of optimism and good cheer whose two contrasting movements achieve a particularly satisfying formal balance. The dark opening section is suffused with a melancholy cast, but this vanishes at the second section, marked “Fast and fiery.” The Allegro bursts to life here in a flurry of triplets, and this music demands athletic playing through a very wide range. A quiet interlude provides some relief before the exciting rush to the close. Michael Krenn
Classical Music | Music for Saxophone
Robert Schumann
Adagio and Allegro, Op. 70
PlayRecorded on 08/12/2012, uploaded on 12/13/2012
Musician's or Publisher's Notes
(originally written for the horn, transcribed for the saxophone).
The Adagio and Allegro dates from 1849, when Schumann was in good health and spirits, and producing music with greater ease and speed than at almost any other time in his life — some thirty works date from what he referred to as "my most fruitful year." He originally composed the piece for French horn and piano but specified it could be performed by other instruments, specifically the cello or the violin. More recently, it has been taken up by oboists and clarinetists, and today is performed on soprano saxophone.
It is a work of optimism and good cheer whose two contrasting movements achieve a particularly satisfying formal balance. The dark opening section is suffused with a melancholy cast, but this vanishes at the second section, marked “Fast and fiery.” The Allegro bursts to life here in a flurry of triplets, and this music demands athletic playing through a very wide range. A quiet interlude provides some relief before the exciting rush to the close. Michael Krenn
More music by Robert Schumann
Maerchenbilder for viola and piano - I mov, op.113
Nur wer die Sehnsucht kennt, from Lieder und Gesänge aus Wilhelm Meister
Intermezzo
Carnaval, Op. 9
Adagio and Allegro, Op. 70
Wehmuth, from Liederkreis, Op. 39
Novellette no. 6 in A Major: Sehr lebhaft mit vielem Humor, from Novelletten, Op. 21
Presto Passionato in g minor, Op. 22a
Faschingsschwank aus Wien, Op. 26 (Carnival of Vienna)
Sonata No. 1 for Violin and Piano in A minor, Op. 105
Performances by same musician(s)
Sonata in C-sharp Major for Alto Saxophone and Piano
Two Fantastics for Alto Saxophone and Piano, Op. 88
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