Likely inspired by the events of his own courtship of Clara
Wieck, Schumann's song cycle Frauenliebe und -leben (A Women's Love and
Life) was composed in 1840, known as his "Year of Song" and the year of his
marriage to Clara. Based on the poem cycle by the German poet Adelbert von
Chamisso written in 1830, it tells the story of a woman's love for her man from
their first meeting to beyond his death. Schumann selected eight poems from
Chamisso's cycle to set to music.
As with many of Schumann's Lieder, the piano plays a crucial
role in portraying the mood of the poem. As a result, the piano accompaniment
possesses a strong independence from the voice, yet simultaneously creates a
more unified, artistic whole by subtly enhancing the mood of the lyric and, in
some cases, even giving expression to that which is not easily brought about in
words alone.
...
The third song of the set, "Ich kann's nicht fassen, nicht
glauben" ("I cannot grasp or believe it"), portrays the narrator's disbelief
that she has gained the love of her man and believes she is living in a dream.
Moving to the key of C minor, the voice is set against a mainly chordal
accompaniment at times staccato, at others legato. The third stanza brings a
brief glimpse of the relative major before the first stanza and the key of C
minor return. In "Du Ring an meinem Finger" ("Thou ring on my finger"), the
fourth song, the narrator muses about her engagement ring. Schumann's settings
is intensely lyrical and marked with the special indication "innig"
("intimate"). Joseph DuBose
Classical Music | Mezzo-Soprano
Robert Schumann
Ich kann's nicht fassen, nicht glauben
PlayRecorded on 11/06/2010, uploaded on 11/06/2010
Musician's or Publisher's Notes
Frauenliebe und -leben, op. 42 Robert Schumann
Likely inspired by the events of his own courtship of Clara Wieck, Schumann's song cycle Frauenliebe und -leben (A Women's Love and Life) was composed in 1840, known as his "Year of Song" and the year of his marriage to Clara. Based on the poem cycle by the German poet Adelbert von Chamisso written in 1830, it tells the story of a woman's love for her man from their first meeting to beyond his death. Schumann selected eight poems from Chamisso's cycle to set to music.
As with many of Schumann's Lieder, the piano plays a crucial role in portraying the mood of the poem. As a result, the piano accompaniment possesses a strong independence from the voice, yet simultaneously creates a more unified, artistic whole by subtly enhancing the mood of the lyric and, in some cases, even giving expression to that which is not easily brought about in words alone.
...The third song of the set, "Ich kann's nicht fassen, nicht glauben" ("I cannot grasp or believe it"), portrays the narrator's disbelief that she has gained the love of her man and believes she is living in a dream. Moving to the key of C minor, the voice is set against a mainly chordal accompaniment at times staccato, at others legato. The third stanza brings a brief glimpse of the relative major before the first stanza and the key of C minor return. In "Du Ring an meinem Finger" ("Thou ring on my finger"), the fourth song, the narrator muses about her engagement ring. Schumann's settings is intensely lyrical and marked with the special indication "innig" ("intimate"). Joseph DuBose
More music by Robert Schumann
Maerchenbilder for viola and piano - I mov, op.113
Wehmuth, from Liederkreis, Op. 39
Novellette no. 6 in A Major: Sehr lebhaft mit vielem Humor, from Novelletten, Op. 21
Nur wer die Sehnsucht kennt, from Lieder und Gesänge aus Wilhelm Meister
Intermezzo
Carnaval, Op. 9
Adagio and Allegro, Op. 70
Presto Passionato in g minor, Op. 22a
Faschingsschwank aus Wien, Op. 26 (Carnival of Vienna)
Sonata No. 1 for Violin and Piano in A minor, Op. 105
Performances by same musician(s)
Piano Quintet in f minor, Op 34
Préludes, Book 2: X. Canope
Les chemins de l'amour
Transcendental Etude No. 8 "Wilde Jagd"
Aquarelles: 2. Spleen
Hommage à S. Pickwick, Esq., P.P.M.P.C., from Préludes Book II
Piano Sonata No. 9 in D Major, K. 311
Carmen Variations (White House Edition)
Carmen Variations
Nun hast du mir den ersten Schmerz getan
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