Adagio and Allegro for Viola and Piano, Op.70 Robert Schumann
Schumann's Adagio and
Allegro evokes a wide range of expression within a very brief period of
time. The piece was originally written
for the valved French horn, at that time a recent development that allowed the
playing of a full chromatic range.
Schumann took advantage of these expressive possibilities by writing
lines of great chromatic flexibility that cover the full range of the
instrument with both wide leaps and narrow diminished intervals hitherto
impossible on the natural horn. Schumann
made note in the manuscript that the work could also be played on a string
instrument, and the viola is very well suited to the qualities of the music.
The German marking of the
Adagio is Langsam, mit innigem Ausdruck
(Slow, with inward expression), and with a searching lyricism exchanged between
the viola and piano, the music creates an emotional landscape at once broad and
intimate. The Allegro (marked "fast and
fiery") bursts out after a tranquil resolution to the Adagio in an exuberant
transition. After a somewhat more
self-assured reprise of the Adagio, the Allegro returns, this time ending the
piece in a triumphant and unabashedly joyful mood. Jonathan Vinocour
Classical Music | Music for Viola
Robert Schumann
Adagio and Allegro for Viola and Piano, Op. 70
PlayRecorded on 09/11/2007, uploaded on 01/17/2009
Musician's or Publisher's Notes
Adagio and Allegro for Viola and Piano, Op.70 Robert Schumann
Schumann's Adagio and Allegro evokes a wide range of expression within a very brief period of time. The piece was originally written for the valved French horn, at that time a recent development that allowed the playing of a full chromatic range. Schumann took advantage of these expressive possibilities by writing lines of great chromatic flexibility that cover the full range of the instrument with both wide leaps and narrow diminished intervals hitherto impossible on the natural horn. Schumann made note in the manuscript that the work could also be played on a string instrument, and the viola is very well suited to the qualities of the music.
The German marking of the Adagio is Langsam, mit innigem Ausdruck (Slow, with inward expression), and with a searching lyricism exchanged between the viola and piano, the music creates an emotional landscape at once broad and intimate. The Allegro (marked "fast and fiery") bursts out after a tranquil resolution to the Adagio in an exuberant transition. After a somewhat more self-assured reprise of the Adagio, the Allegro returns, this time ending the piece in a triumphant and unabashedly joyful mood. Jonathan Vinocour
More music by Robert Schumann
Maerchenbilder for viola and piano - I mov, op.113
Carnaval, Op. 9
Adagio and Allegro, Op. 70
Wehmuth, from Liederkreis, Op. 39
Novellette no. 6 in A Major: Sehr lebhaft mit vielem Humor, from Novelletten, Op. 21
Nur wer die Sehnsucht kennt, from Lieder und Gesänge aus Wilhelm Meister
Intermezzo
Presto Passionato in g minor, Op. 22a
Faschingsschwank aus Wien, Op. 26 (Carnival of Vienna)
Sonata No. 1 for Violin and Piano in A minor, Op. 105
Performances by same musician(s)
Sonata for Piano and Viola Op. 120, No. 1 in f minor
Concertpiece for Viola and Piano
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