Whereas John Field invented the Nocturne—a short composition for piano, adhering to no set formal pattern and designed to evoke a particular mood without text or programme—Chopin popularized it. His twenty-one Nocturnes, two of which were published posthumously, are staples of the piano literature and brilliantly showcase the expressive qualities of the instrument.
The first of Chopin’s Nocturnes to be published posthumously, that in C-sharp minor, was actually composed in 1830, the same year as his Second Concerto for the piano. Indeed, Chopin dedicated the short composition to his older sister, Ludwika, with the inscription, “To my sister Ludwika as an exercise before beginning the study of my second Concerto.” Opening with a twice-repeated chordal passage in the dusky key of C-sharp minor, an immediate sense of despair is established, prevailing over the entire composition. Following the conclusion of this brief introduction, a legato melody full of pathos sounds from the right hand while the left provides a steady broken chord accompaniment. This simple almost song-like texture dominates much of the piece. At the conclusion of the Nocturne’s first section, a descending monophonic line in the bass leads into the key of A major. However, this transition to the major key is but short-lived and the key of F-sharp minor soon after takes hold. Maintaining the same mood as before, the middle section adopts a slightly more active rhythm in its melody as well as also embellishing it with additional harmonies. Rounding out the ternary design of the Nocturne, the first section returns somewhat modified. The melody eventually comes to rest on G-sharp over alternating tonic and dominant harmonies before concluding in a beautiful and ethereal Picardy third.Joseph DuBose
Nocturne in c-sharp minor Frédéric Chopin (arr. Nathan Milstein)
Nathan Milstein (1904 - 1992) was a virtuoso violinist born in Russia. He is widely considered one of the finest violinists of the 20th century, well known for his interpretations of Bach's solo violin works, and for works from the Romantic period. He was also known for his long career: he performed at a high level of excellence in public into his mid-80s, being forced to retire after suffering a broken hand. Milstein transcribed Chopin's Nocturne in C sharp minor for use as an encore piece. Judy Kang
Classical Music | Violin Music
Frédéric Chopin
Nocturne in c-sharp minor for Violin and Piano
PlayRecorded on 08/19/2009, uploaded on 12/11/2009
Musician's or Publisher's Notes
Whereas John Field invented the Nocturne—a short composition for piano, adhering to no set formal pattern and designed to evoke a particular mood without text or programme—Chopin popularized it. His twenty-one Nocturnes, two of which were published posthumously, are staples of the piano literature and brilliantly showcase the expressive qualities of the instrument.
The first of Chopin’s Nocturnes to be published posthumously, that in C-sharp minor, was actually composed in 1830, the same year as his Second Concerto for the piano. Indeed, Chopin dedicated the short composition to his older sister, Ludwika, with the inscription, “To my sister Ludwika as an exercise before beginning the study of my second Concerto.” Opening with a twice-repeated chordal passage in the dusky key of C-sharp minor, an immediate sense of despair is established, prevailing over the entire composition. Following the conclusion of this brief introduction, a legato melody full of pathos sounds from the right hand while the left provides a steady broken chord accompaniment. This simple almost song-like texture dominates much of the piece. At the conclusion of the Nocturne’s first section, a descending monophonic line in the bass leads into the key of A major. However, this transition to the major key is but short-lived and the key of F-sharp minor soon after takes hold. Maintaining the same mood as before, the middle section adopts a slightly more active rhythm in its melody as well as also embellishing it with additional harmonies. Rounding out the ternary design of the Nocturne, the first section returns somewhat modified. The melody eventually comes to rest on G-sharp over alternating tonic and dominant harmonies before concluding in a beautiful and ethereal Picardy third. Joseph DuBose
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Nocturne in c-sharp minor Frédéric Chopin (arr. Nathan Milstein)
Nathan Milstein (1904 - 1992) was a virtuoso violinist born in Russia. He is widely considered one of the finest violinists of the 20th century, well known for his interpretations of Bach's solo violin works, and for works from the Romantic period. He was also known for his long career: he performed at a high level of excellence in public into his mid-80s, being forced to retire after suffering a broken hand. Milstein transcribed Chopin's Nocturne in C sharp minor for use as an encore piece. Judy Kang
More music by Frédéric Chopin
Mazurka Op. 33 No. 1 in g-sharp minor
Prelude in F major, Op. 28, No. 23, Moderato
Waltz Op 34 N° 2
Mazurka Op 67 N° 4
Nocturne in D-flat Major, Op. 27, No. 2
Fantaisie-Impromptu in C-sharp Minor, Op. 66
Impromptu no. 3 in G-flat major, op. 51
Barcarolle in F-sharp Major, Op. 60
Mazurka Op 63 N° 2
Fantasy, Op. 49
Performances by same musician(s)
Poéme, Op. 25
La Campanella, from Concerto No. 2, Op. 7
carmen Fantasy
Tambourin Chinois, Op. 3
Recitativo and Scherzo
Improvisation (1976)
Sonata No. 2 in A minor
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