Recitativo and Scherzo, Op. 6, for violin solo Fritz Kreisler
At the end of his
concerts, Vienna-born violin virtuoso Fritz Kreisler invariably played encores,
which he indicated were arrangements by him of eighteenth-century pieces he had
discovered. Not being able to find any copies of these pieces, a suspicious New
York music critic asked if, in fact, Kreisler had composed the pieces himself.
Kreisler admitted that he had, and while this minor hoax irritated many, today
these Kreisler miniatures remain among the most often played encores. One composition he
did immediately admit to having composed is the short Recitativo and Scherzo, a
Caprice for Solo Violin. The Recitativo portion opens dramatically in the
richer lower tones of the violin, with much double stopping, establishing a
solemn yet dramatic mood. The Scherzo portion brings a contrasting playfulness
and charm utilizing the brighter violin tones. I enjoy presenting this piece in
performance because of its display of expression and beauty through brilliant
virtuosity and for its contrasting moods of dark and light. Judy Kang
Classical Music | Violin Music
Fritz Kreisler
Recitativo and Scherzo
PlayRecorded on 01/04/2006, uploaded on 03/01/2009
Musician's or Publisher's Notes
Recitativo and Scherzo, Op. 6, for violin solo Fritz Kreisler
At the end of his concerts, Vienna-born violin virtuoso Fritz Kreisler invariably played encores, which he indicated were arrangements by him of eighteenth-century pieces he had discovered. Not being able to find any copies of these pieces, a suspicious New York music critic asked if, in fact, Kreisler had composed the pieces himself. Kreisler admitted that he had, and while this minor hoax irritated many, today these Kreisler miniatures remain among the most often played encores. One composition he did immediately admit to having composed is the short Recitativo and Scherzo, a Caprice for Solo Violin. The Recitativo portion opens dramatically in the richer lower tones of the violin, with much double stopping, establishing a solemn yet dramatic mood. The Scherzo portion brings a contrasting playfulness and charm utilizing the brighter violin tones. I enjoy presenting this piece in performance because of its display of expression and beauty through brilliant virtuosity and for its contrasting moods of dark and light. Judy Kang
More music by Fritz Kreisler
Sicilienne and Rigaudon
Lotus Land (after Scott)
Syncopation
Liebesleid (arr. Rachmaninov)
Three Old Viennese Dances
Tambourin Chinois, Op. 3
Liebesfreud
Recitative and Scherzo, Op. 6
Praeludium and Allegro
Liebesfreud
Performances by same musician(s)
Poéme, Op. 25
La Campanella, from Concerto No. 2, Op. 7
carmen Fantasy
Tambourin Chinois, Op. 3
Improvisation (1976)
Sonata No. 2 in A minor
Nocturne in c-sharp minor for Violin and Piano
Classical Music for the Internet Era™
Courtesy of International Music Foundation.