Die Rose, die Lilie, die Taube, die Sonne, from Dichterliebe, Op.48 Play Play
Fritz Wunderlich
Tenor
Hubert Giesen
Piano
Recorded on 12/31/1969, uploaded on 06/07/2015
Musician's or Publisher's Notes
Even more brief is “Die Rose, die Lillie” (“The Rose, the Lily”). Though the poet’s beloved and her intentions are still, as of yet, unrevealed, he is nonetheless undeterred in his fervent declaration of his love. He calls her the source of all love, and compares her to the rose (“die Rose”), the lily (“die Lilie”), the dove (“die Taube”), and the sun (“die Sonne”). The poet’s feverish excitement exudes from the animated melody and sprightly accompaniment. Indeed, the vocalist relents from his excited pace only twice in the song. A brief ritardando, accompanied by a crescendo (the only change in dynamic indicated by Schumann), at the words “sie…ist Rose und Lilie und Taube und Sonne,” and likewise again upon “die Eine,” as the vocal melody comes to a close. Joseph DuBose
Recorded live on August 19th of 1965 at the Salzburg Festival.
Classical Music | Tenor
Robert Schumann
Die Rose, die Lilie, die Taube, die Sonne, from Dichterliebe, Op.48
PlayRecorded on 12/31/1969, uploaded on 06/07/2015
Musician's or Publisher's Notes
Even more brief is “Die Rose, die Lillie” (“The Rose, the Lily”). Though the poet’s beloved and her intentions are still, as of yet, unrevealed, he is nonetheless undeterred in his fervent declaration of his love. He calls her the source of all love, and compares her to the rose (“die Rose”), the lily (“die Lilie”), the dove (“die Taube”), and the sun (“die Sonne”). The poet’s feverish excitement exudes from the animated melody and sprightly accompaniment. Indeed, the vocalist relents from his excited pace only twice in the song. A brief ritardando, accompanied by a crescendo (the only change in dynamic indicated by Schumann), at the words “sie…ist Rose und Lilie und Taube und Sonne,” and likewise again upon “die Eine,” as the vocal melody comes to a close. Joseph DuBose
Recorded live on August 19th of 1965 at the Salzburg Festival.
courtesy of YouTube
More music by Robert Schumann
Maerchenbilder for viola and piano - I mov, op.113
Intermezzo
Carnaval, Op. 9
Adagio and Allegro, Op. 70
Wehmuth, from Liederkreis, Op. 39
Novellette no. 6 in A Major: Sehr lebhaft mit vielem Humor, from Novelletten, Op. 21
Nur wer die Sehnsucht kennt, from Lieder und Gesänge aus Wilhelm Meister
Presto Passionato in g minor, Op. 22a
Faschingsschwank aus Wien, Op. 26 (Carnival of Vienna)
Sonata No. 1 for Violin and Piano in A minor, Op. 105
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