Ich will meine Seele tauchen, from Dichterliebe, Op.48 Play Play
Fritz Wunderlich
Tenor
Hubert Giesen
Piano
Recorded on 12/31/1969, uploaded on 06/07/2015
Musician's or Publisher's Notes
In the fifth song, “Ich will meine Seele tauchen” (“I want to plunge my soul”), Heine recalls the imagery of the lily in “Die Rose, die Lillie.” From it will sound an unsung song—the echo of a kiss once given. Taking his cue for Heine, Schumann likewise recalls the fleeting music of the third song. Even the key of B minor (the relative minor of D major), reflects with sadness the earlier song. The strophic vocal melody, wonderfully contained with the range of a diminished fifth, is enchantingly beautiful. However, it is the piano that is perhaps the most interestingly feature of the song. The outer voices, with their gentle pulse and opposing motion, mesmerizingly encase the vocal melody as rippling arpeggios fill out the inner harmony. As the vocal melody concludes, the piano enters with its own melody, shadowed by the bass. The melody is fleeting, just as the beloved’s kiss, and ultimately fades into the final repetitive chords that close the song. Joseph DuBose
Recorded live on August 19th of 1965 at the Salzburg Festival.
Classical Music | Tenor
Robert Schumann
Ich will meine Seele tauchen, from Dichterliebe, Op.48
PlayRecorded on 12/31/1969, uploaded on 06/07/2015
Musician's or Publisher's Notes
In the fifth song, “Ich will meine Seele tauchen” (“I want to plunge my soul”), Heine recalls the imagery of the lily in “Die Rose, die Lillie.” From it will sound an unsung song—the echo of a kiss once given. Taking his cue for Heine, Schumann likewise recalls the fleeting music of the third song. Even the key of B minor (the relative minor of D major), reflects with sadness the earlier song. The strophic vocal melody, wonderfully contained with the range of a diminished fifth, is enchantingly beautiful. However, it is the piano that is perhaps the most interestingly feature of the song. The outer voices, with their gentle pulse and opposing motion, mesmerizingly encase the vocal melody as rippling arpeggios fill out the inner harmony. As the vocal melody concludes, the piano enters with its own melody, shadowed by the bass. The melody is fleeting, just as the beloved’s kiss, and ultimately fades into the final repetitive chords that close the song. Joseph DuBose
Recorded live on August 19th of 1965 at the Salzburg Festival.
courtesy of YouTube
More music by Robert Schumann
Maerchenbilder for viola and piano - I mov, op.113
Intermezzo Op 26 / 4
Carnaval, Op. 9
Adagio and Allegro, Op. 70
Wehmuth, from Liederkreis, Op. 39
Novellette no. 6 in A Major: Sehr lebhaft mit vielem Humor, from Novelletten, Op. 21
Nur wer die Sehnsucht kennt, from Lieder und Gesänge aus Wilhelm Meister
Presto Passionato in g minor, Op. 22a
Faschingsschwank aus Wien, Op. 26 (Carnival of Vienna)
Sonata No. 1 for Violin and Piano in A minor, Op. 105
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