Adrian Willaert served in the highly influential position of maestro di cappella at St. Mark’s from 1527 to 1562.These two chansons (Baisés Moy and Qui verult aymer) were part of a collection that was first published in 1536. Willaert’s 3-part French chansons were so popular that they were republished 4 times in the next 40 years.
Rook: Jakob Hansen, Violin Paul Von Hoff, Trombone and Slide Trombone Jeremy David Ward, Bass Violin Mark Shuldiner, Harpsichord
Classical Music | Ensemble Music
Adrian Willaert
Qui verult aymer
PlayRecorded on 02/19/2014, uploaded on 07/29/2014
Musician's or Publisher's Notes
Adrian Willaert served in the highly influential position of maestro di cappella at St. Mark’s from 1527 to 1562. These two chansons (Baisés Moy and Qui verult aymer) were part of a collection that was first published in 1536. Willaert’s 3-part French chansons were so popular that they were republished 4 times in the next 40 years.
Rook:
Jakob Hansen, Violin
Paul Von Hoff, Trombone and Slide Trombone
Jeremy David Ward, Bass Violin
Mark Shuldiner, Harpsichord
More music by Adrian Willaert
O dolce vita mia
Pater Noster
Baisés Moy
Performances by same musician(s)
Ingiustissimo amor
Divisions on Lachrimae Pavan
Canzon for Bass and Soprano, No. 11
Baisés Moy
Sonata No. 8
Pavan
Dance and Courant
Sonata No. 4 from Book No. 1
Sonata No. 11 from Book 1
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