Piano Trio No. 3 in G Major, Op. 110, Robert Schumann
I. Bewegt, doch nicht zu rasch II. Ziemlich langsam III. Rasch IV. Räftig, mit Humor
The compositional output of German composer, performer, and critic Robert Schumann includes masterpieces of solo piano music, chamber music, vocal song, and symphonic repertoire.In 1834 he founded one of the first journals of music criticism, Die Neue Zeitschrift für Musik ("New Journal for Music").He used this platform to reignite interest in composers of the past, including Mozart and Beethoven, and eventually to herald the arrival of a then-20-year-old Johannes Brahms, who later became embroiled in the famous love triangle with Clara Schumann, Robert’s wife.Schumann was plagued by mental illness, and spent the final years of his life in an asylum after a suicide attempt in 1854.Some critics argue that much of Schumann’s work after 1850 was clouded by his insanity; Clara Schumann and Brahms even attempted to destroy many of Schumann’s later manuscripts.Thankfully, many great works from this period survived, including the opus 110 Piano Trio.
Composed in Düsseldorf in 1851, Schumann’s third and final piano trio is perhaps the least often performed today.It begins stormily with the opening movement, marked Bewegt, doch nicht zu rasch (agitated, but not too fast), meandering through the dreamy second Ziemlich langsam (somewhat slowly), dropping briefly into the Rasch (fast) scherzo, and culminating playfully and triumphantly in the finale, Kräftig, mit Humor (strong, with humor).Trio Terzetto
Classical Music | Music for Trio
Robert Schumann
Piano Trio No. 3 in G Major, Op. 110
PlayRecorded on 08/13/2014, uploaded on 02/03/2015
Musician's or Publisher's Notes
Piano Trio No. 3 in G Major, Op. 110, Robert Schumann
I. Bewegt, doch nicht zu rasch
II. Ziemlich langsam
III. Rasch
IV. Räftig, mit Humor
The compositional output of German composer, performer, and critic Robert Schumann includes masterpieces of solo piano music, chamber music, vocal song, and symphonic repertoire. In 1834 he founded one of the first journals of music criticism, Die Neue Zeitschrift für Musik ("New Journal for Music"). He used this platform to reignite interest in composers of the past, including Mozart and Beethoven, and eventually to herald the arrival of a then-20-year-old Johannes Brahms, who later became embroiled in the famous love triangle with Clara Schumann, Robert’s wife. Schumann was plagued by mental illness, and spent the final years of his life in an asylum after a suicide attempt in 1854. Some critics argue that much of Schumann’s work after 1850 was clouded by his insanity; Clara Schumann and Brahms even attempted to destroy many of Schumann’s later manuscripts. Thankfully, many great works from this period survived, including the opus 110 Piano Trio.
Composed in Düsseldorf in 1851, Schumann’s third and final piano trio is perhaps the least often performed today. It begins stormily with the opening movement, marked Bewegt, doch nicht zu rasch (agitated, but not too fast), meandering through the dreamy second Ziemlich langsam (somewhat slowly), dropping briefly into the Rasch (fast) scherzo, and culminating playfully and triumphantly in the finale, Kräftig, mit Humor (strong, with humor). Trio Terzetto
More music by Robert Schumann
Maerchenbilder for viola and piano - I mov, op.113
Intermezzo
Carnaval, Op. 9
Adagio and Allegro, Op. 70
Wehmuth, from Liederkreis, Op. 39
Novellette no. 6 in A Major: Sehr lebhaft mit vielem Humor, from Novelletten, Op. 21
Nur wer die Sehnsucht kennt, from Lieder und Gesänge aus Wilhelm Meister
Presto Passionato in g minor, Op. 22a
Faschingsschwank aus Wien, Op. 26 (Carnival of Vienna)
Sonata No. 1 for Violin and Piano in A minor, Op. 105
Performances by same musician(s)
Intermezzo, no. 5, from Miniatures for Piano Trio
Valse triste, no. 7, from Miniatures for Piano Trio
Saltarello, no. 6, from Miniatures for Piano Trio
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