In the middle of the concert program, we find Béla Bartók and Domenico Scarlatti, two composers stylistically and geographically distant but, nonetheless, connected to Brazilian music in direct and indirect ways. Béla Bartók created music inspired by rich folkloric resources of his native Hungary and neighboring countries, a practice well developed in Brazil since the beginning of the 20th century, especially by Villa Lobos. Bartók’s Three Burlesques, composed between 1908 and 1911, display very simple textures, almost Scarlattian in their clarity of ideas and counterpoint writing. The first one, Quarrel, dedicated to his first wife Márta Ziegler, is a frenetic race in unison, with very loud punches of dissonant chords, halted by an episode of slow and sad whining, and ending in an impassioned and violent manner. The second, Slightly Tipsy, utilizes a Hungarian folk song as the main tune, distorted by clashing sounds and exaggerated use of rubato. The third one, Capriccioso, is an example of Bartók’s night music, which uses small, clustered intervals to mimic the sounds of nature, such as chirping, sprightly bugs, and fluttering leaves. Victor Cayres
Classical Music | Piano Music
Béla Bartók
Three Burlesques, Op. 8c
PlayRecorded on 08/03/2016, uploaded on 03/14/2017
Musician's or Publisher's Notes
I. Quarrel
II. Slightly Tipsy
III. Capriccioso
In the middle of the concert program, we find Béla Bartók and Domenico Scarlatti, two composers stylistically and geographically distant but, nonetheless, connected to Brazilian music in direct and indirect ways. Béla Bartók created music inspired by rich folkloric resources of his native Hungary and neighboring countries, a practice well developed in Brazil since the beginning of the 20th century, especially by Villa Lobos. Bartók’s Three Burlesques, composed between 1908 and 1911, display very simple textures, almost Scarlattian in their clarity of ideas and counterpoint writing. The first one, Quarrel, dedicated to his first wife Márta Ziegler, is a frenetic race in unison, with very loud punches of dissonant chords, halted by an episode of slow and sad whining, and ending in an impassioned and violent manner. The second, Slightly Tipsy, utilizes a Hungarian folk song as the main tune, distorted by clashing sounds and exaggerated use of rubato. The third one, Capriccioso, is an example of Bartók’s night music, which uses small, clustered intervals to mimic the sounds of nature, such as chirping, sprightly bugs, and fluttering leaves. Victor Cayres
More music by Béla Bartók
Music for Strings, Percussion and Celesta
Second Rhapsody for violin and piano
String Quartet No. 1, Sz. 40
First Rhapsody: Prima parte, “Lassu”
Six Romanian Popular Songs
Two Portraits, Op. 5, No. 1 "Idealistic" Andante sostenuto
Rhapsody No. 1
Romanian Folk Dances
Improvisations on Hungarian Peasant Songs, Op. 20
Suite Paysanne Hongroise
Performances by same musician(s)
Nocturno in F-Sharp Major, Op.10
Sonata in b minor, K. 27
Sonata in D minor, K. 32
Sonata in E Major, K. 162, L. 21
Alma brasileira
Impressoes Seresteiras
O Polichinelo
Classical Music for the Internet Era™
Courtesy of International Music Foundation.