Bela Bartók is often thought of as Hungary's national composer since he used so many traditional songs and melodies in his compositions. With the Three Studies op.18 for piano, Bartók launched into his most radical, Expressionist phase (1918-22), during which he believed he was approaching some kind of atonal goal. In his essay 'Das Problem der neuen Musik' he referred to Schoenberg, and recognized the need 'for the equality of rights of the individual 12 tones'; he drew examples of the 'previously undreamt-of wealth of transitory nuances [now] at our disposal' from his own opp.18 and 19. Hayk Arsenyan
Classical Music | Piano Music
Bela Bartok
Three Studies, Op. 18
PlayRecorded on 03/11/2008, uploaded on 01/26/2009
Musician's or Publisher's Notes
Three Studies, Op. 18 Bela Bartók
Bela Bartók is often thought of as Hungary's national composer since he used so many traditional songs and melodies in his compositions. With the Three Studies op.18 for piano, Bartók launched into his most radical, Expressionist phase (1918-22), during which he believed he was approaching some kind of atonal goal. In his essay 'Das Problem der neuen Musik' he referred to Schoenberg, and recognized the need 'for the equality of rights of the individual 12 tones'; he drew examples of the 'previously undreamt-of wealth of transitory nuances [now] at our disposal' from his own opp.18 and 19. Hayk Arsenyan
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Rhapsody No. 1
Romanian Folk Dances
Improvisations on Hungarian Peasant Songs, Op. 20
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Aria di Figaro
Adagio of Spartacus
Poem
In the Hall of the Mountain King, from Peer Gynt Suite
Variations on a Nocturne by Chopin
Fantasie, K. 396
Sonata No. 3 in b minor, Op. 58
Sonata No. 13 in B-flat Major
Sonata No. 21 in g minor
Piano Sonata Op. 26, 1st movement
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